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CATEGORY: SERIES

Posts in category ‘Series’
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Summergarden
July 9, 2010  |  Summergarden 2010
Rain or Shine: Summergarden Concerts Go On!

The New Juilliard Ensemble performing at Summergarden

The July 11 opening of Summergarden 2010 draws near. The program book has gone to press. All arrangements are in order. Rehearsals once again show how the remarkable young musicians of the New Juilliard Ensemble can conquer pretty much any musical problem. Read more

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May 28, 2010  |  Behind the Scenes, Digital Media
Revenge of the “30 Seconds” Videos

The sequel is a notoriously dicey—though sometimes brilliant—film enterprise, be it Indiana Jones and the Temple of Doom, The Empire Strikes Back, or my personal favorite at the age of twelve, The Karate Kid, Part II. After the first round of 30 Seconds videos, in which MoMA staff and members created short videos with filmmaker Thilo Hoffmann, we invited Thilo back late last year. The results are in, and you can now see selected videos by staff and members. Read more

May 21, 2010  |  Conservation
Conservation of Floor Cake (Part 6)

At AIC, Cindy Albertson and Margo Delidow discuss the history and treatment of Floor Cake

We’ve taken a short break from writing about Claes Oldenburg’s iconic Floor Cake sculpture—currently undergoing conservation treatment here at MoMA—to prepare a lecture for last week’s annual meeting of the American Institute for Conservation of Historic and Artistic Works (AIC), in Milwaukee, Wisconsin. Conservators, educators, and scientists gather each year to discuss new types of treatments for works of art and to examine the effects of past treatment. Our presentation focused on the history of Floor Cake and its condition (please see our previous posts), as we have been working to conserve this unique and popular work for the past several months. Read more

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Protect Me from What I Want


In previous posts we’ve showcased exhibition and wayfinding graphic developments and looked at interesting ephemera created by the Graphic Design department throughout MoMA’s past. This post is about a much more humble, but extremely important, type of design: the warning sign. These signs are created for a wide range of purposes—to prevent overcrowding in the galleries, to prevent damage to the artwork or Museum spaces, to alert people about potentially controversial artworks in the galleries, etc.—and they represent a collaboration between Graphic Design and the Curatorial, Legal, Visitor Services, and/or Education departments. Some signs, such as room-capacity notices, are required by law; others, such as the “warning” notices at the entrance to the Marina Abramović exhibition, are more of a courtesy. They all have one thing in common: they’re designed to make sure each guest has a safe and fun time at MoMA. The slide show above includes just a few of the signs we’ve made over the years. Enjoy… at your own risk!

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May 14, 2010  |  MoMA Stores
Discovering Portuguese Design

Whistler Cork Creamer, Sugar, Cups, and Teapot from Destination: Portugal

We recently travelled through Lisbon, Porto, and beyond to find products for our eighth Destination: Design collection, which introduces designers and design themes from around the world. This year’s collection—Destination: Portugal—highlights lifestyle products usually found only in Portugal, and the selection process was an exciting journey for us. We had a number of partners for the project, including Ministry of Culture, Portugal; TemaHome; Turismo de Portugal; aicep Portugal Global; and Fundação de Serralves, who helped introduce us to Portuguese designers, artisans, and manufacturers creating everything from umbrellas and filigree jewelry to furniture, teapots, weather predictors, and notebooks. Read more

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May 10, 2010  |  Marina Abramović, Visitor Viewpoint
Visitor Viewpoint: MoMA’s Mystery Man

Those of you who have clicked through the visitor portraits in our Marina Abramović: The Artist Is Present Flickr gallery, taken by Marco Anelli, probably noticed some familiar faces. Apart from a few celebrities in the mix (Sharon Stone, Rufus Wainwright, Isabella Rossellini, to name a few), there are a number of less famous faces that repeat day in and day out, almost as often as Marina herself. These Marina devotees have become micro-celebrities in their own right, at least around the Museum; the guards know them by name, and fellow visitors waiting their turn to sit with Marina regard them with an air of what may best be described as reverence.

Paco Blancas, a NYC-based make-up artist, is one such visitor. After seeing his portrait a number of times on Flickr, I found myself wondering, “Who is this mystery man? Why does he keep coming back? Why is he crying in so many of these photos?” I wanted to know his story. As luck would have it, last week I spotted him seated in the Marron Atrium, back for his fourteenth sitting with Marina. He shared a few words about his experiences with the piece and what compels him to keep coming back. Read more

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